23,647 Royalty-Free Audio Tracks for "Midi Files Of Opera Music"

Midi file of BWV 620 from the Orgelbüchlein adapted with new instrumentation from lilypond file on Mutopia

Midi file of BWV 643 from the Orgelbüchlein adapted with different instrumentation and ornamentations from lilypond file on Mutopia

Midi file of BWV 599 from the Orgelbüchlein adapted with different instrumentation from lilypond file on Mutopia

Midi file of BWV 6o3 from the Orgelbüchlein adapted with different instrumentattion from lilypond file on Mutopia

Midi file of BWV 619 from the Orgelbüchlein adapted with new instrumentation from lilypond file on Mutopia

Midi file of BWV 622 from the Orgelbüchlein adapted with added ornamentation and different instrumentation from lilypond file on Mutopia

Consecutive perfect authentic cadences in Beethoven's Piano Sonata, Op. 13.

Midi file of 1st Variation of Canonic Variations of J. S. Bach, produced using lilypond

Midi file of BWV 604 from the Orgelbüchlein adapted with different instrumentation from lilypond file on Mutopia

The opening of Vth of Beethoven's Seven Variations on "God Save the King" WoO 78 (1804) introduces Alberti bass patterns.

Midi file of BWV 606 from the Orgelbüchlein adapted with different instrumentation from lilypond file on Mutopia

Midi file of 5th Variation of Canonic Variations of J. S. Bach, produced using lilypond

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Midi file of BWV 600 from the Orgelbüchlein adapted with different instrumentation from lilypond file on Mutopia

Op. 109, bars 1-4.

Midi file of BWV 635 from the Orgelbüchlein adapted from lilypond file on Mutopia

Midi file of BWV 602 from the Orgelbüchlein adapted with different instrumentation from lilypond file on Mutopia

Midi file of BWV 637 from the Orgelbüchlein adapted with different instrumentation from lilypond file on Mutopia

BWV 776 mid, 5th invention

Syncopation (sfz) in Beethoven's String Quartet in A Major, Op. 18, no. 5, III, variation I, m. 7-8. Created by Hyacinth (talk) 19:26, 12 March 2011 (UTC) using Sibelius 5. For comparison: File:Beethoven - String Quartet in A Major, m. 7-8 without syncopation.mid

Midi file of BWV 641 from the Orgelbüchlein adapted with different instrumentation and ornamentation from lilypond file on Mutopia

Midi file of BWV 631 from the Orgelbüchlein adapted, with added ornamentation in the inner parts, from lilypond file on Mutopia

Midi file of BWV 628 from the Orgelbüchlein adapted from lilypond file on Mutopia

Midi file of BWV 609 from the Orgelbüchlein adapted with different instrumentation from lilypond file on Mutopia

Details of the voice leading in m. 3-7 of BWV 941: original

Typical example of horn fifths from the finale of Beethoven's 9th Symphony

Midi file of BWV 601 from the Orgelbüchlein adapted with different instrumentation from lilypond file on Mutopia

Invention No. 8, BWV 779, by Johann Sebastian Bach

Ludwig van Beethoven: Bagatelle in A minor ("Für Elise"), WoO 59

Nederlands: Ludwig van Beethoven: Für Elise, Bagatelle nr. 25 WoO 59 (overgetikt) PD aangezien componist meer dan 70 dood is

Dominant sevenths in Chopin's (1810–1849) Mazurka in F minor, op. 68, no. 4, m. 1-4.

Das Gebet einer Jungfrau, Op. 4 (Tekla Bądarzewska (1834–1861), 3:05) "A Maiden's Prayer", Op. 4 (Tekla Bądarzewska-Baranowska (1834–1861), 3:05 minutes) « La prière d'une vierge », op. 4 (Tekla Bądarzewska (1834–1861), 3:05) Italiano: "La preghiera di una vergine", Op. 4 (Tekla Badarzewska (1834–1861), 3:05) Nederlands: "Het gebed voor een maagd", op. 4 (Tekla Bądarzewska-Baranowska (1834–1861), 3:05) "Modlitwa dziewicy", op. 4 (Tekla Bądarzewska-Baranowska (1834–1861), 3:05) Română: "Rugăciunea unei fecioare", Op. 4 (Tekla Badarzewska (1834–1861), 3:05)

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Different voicing for guitar. Created by Hyacinth (talk) 14:10, 7 July 2009 using Sibelius 5.

Svatou dobu již tu máme, traditional Christmas carol from Czechia

Malbrough s'en va-t-en guerre

Alle, die mit uns auf Kaperfahrt fahren

My Bonnie Is Over The Ocean

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C♮ to C♯ between the second and third chords. Note that there is no common chord.

Combinatorial tone rows from Moses und Aron by Arnold Schoenberg pairing complementary hexachords from P-0/I-3.

Blast beat drum pattern.

Simple duple drum pattern: divides two beats into two. Created by Hyacinth (talk) 02:19, 20 July 2009 using Sibelius 5.

Violoncello chord on C. Created by Hyacinth (talk) 09:16, 12 June 2010 using Sibelius 5.

Bob Dylan's "Lay, Lady, Lay" verse.

D♭7♯11 chord = G7alt chord. G7alt chord = G,B,F,Ab,A#,C#,Eb. D♭7♯11 chord = D,F,Cb,Eb,G.

Bitonal polychord: F major on top of C major. Created by Hyacinth (talk) 01:48, 7 July 2009 using Sibelius 5.

Fichier audio de l'image correspondante (Interpolation_musique_Openmusic.png)

Chopin, op. 28 n. 6, bars 1-3, as quoted by Schenker.

Period (two phrases) from Beethoven's Piano Sonata in C Minor, Op. 13 (Pathetique), second movement.

The Ride of the Valkyries from Richard Wagner's 1870 opera Die Walküre, the second opera in the sequence Der Ring des Nibelungen. Performed by the American Symphony Orchestra for Edison Records This is Edison Diamond Disc 80638-R, Matrix 7846-B-1-6, NPS object catalog number: EDIS 41877